Books


A bibliography compiled by Vicente Parrilla, 2021

Alm, Irene; McLamore, Alyson; Reardon, Colleen [eds.] (1997). Musica Franca. Essays in Honor of Frank A. D’Accone. Stuyvesant: Pendragon Press (Festschrift Series 18). ISBN 0945193920.

Bernstein, Jane A. (1998). Music printing in Renaissance Venice: the Scotto Press, 1539–1572. New York: Oxford University Press, 1998. ISBN 978-0-19-510231-4.

Brown, Howard Mayer (1976). Embellishing 16th-Century Music. London: Oxford University Press. ISBN 0-19-323175-1.

Bucciarelli, Melania; Joncus, Berta (2016). Music as social and cultural practice: essays in honour of Reinhard Strohm. Woodbridge, Suffolk: Boydell Press. ISBN 978-1-84383-317-8.

Collins Judd, Cristle [ed.] (2016). Musical Theory in the Renaissance. London/New York: Routledge. ISBN 9781409422976.

Feldman, Martha (1995). City Culture and the Madrigal at Venice. Berkeley, California: University of California Press. ISBN 0-520-08314-8.

Gambassi, Osvaldo (1989). Il Concerto Palatino della Signoria di Bologna: cinque secoli di vita musicali a corte (1250–1797). Florence: Leo S. Olschki Editore.

Gangwere, Blanche (2004). Music history during the Renaissance period, 1520–1550: a documented chronology. Westport, Conn.: Praeger. ISBN: 0-313-29248-5.

Glixon, Jonathan (2003). Honoring God and the City - Music at the Venetian Confraternities 1260–1807. New York; Oxford: Oxford University Press. ISBN 978-0-19-534298-7.

Griscom, Richard; Lasocki, David (2012). The recorder: A Research and Information Guide. Third edition. New York: Routledge. ISBN 978-0-415-99858-1.

Haar, James [ed] (2006). European Music 1520–1640. Woodbridge: The Boydell Press. ISBN 978-1-84383-894-4.

Lasocki, David [ed.] (1995). The Recorder in the 17th Century. Utrecht: STIMU, Foundation for Historical Performance Practice. ISBN 90-72786-06-8.

Lasocki, David [ed.] (2005). Musicque de joye: proceedings of the International Symposium on the Renaissance Flute and Recorder Consort. Utrecht: STIMU, Foundation for Historical Performance Practice. ISBN 90-72786-12-2.

Lasocki, David and Prior, Roger (1995). The Bassanos: Venetian musicians and instrument makers in England, 1531-1665. England: Ashgate. ISBN 978-0-8596-7943-5.

Miller, Clement [ed. and trans.] (1973). Hieronymus Cardanus, Writings on Music. Dallas: American Institute of Musicology, 1973 (Musicological Studies and Documents, 32).

Nugent, Bill Allen (1993). Antonius Divitis Collected works. Recent researches in the music of the Renaissance, 0486-123X, vol. 94. Madison, Wisconsin: A-R Editions. ISBN 0895792818.

Ongaro, Giulio (2003). Music of the Renaissance. Westport, Conn.: Greenwood Press. ISBN 0-313-32263-5.

Pio, Stefano (2011). Viol and Lute makers of Venice 1490–1630. Venice: Venice Research. ISBN 978-88-97039-61-7.

Quaranta, Elena (1998). Oltre San Marco. Organizzazione e prassi della musica nelle chiese di Venezia nel Rinascimento. Studi di musica veneta, 26. Firenze: Leo S. Olschki editore. ISBN 88-222-4662-4.

Reese, Gustav (1959). Music in the Renaissance. New York: W.W. Norton & Company, Inc. ISBN: 0393-09530-4.

Salvatore, Daniele (2003). L’arte opportuna al sonar di flauto. Savignano sul Rubicone: Gruppo Editoriale Eridania.

Schiltz, Katelijne [ed.] (2018). A Companion to Music in Sixteenth-Century Venice. Leiden/Boston: Brill. ISBN 978-90-04-35829-4.

Taruskin, Richard (2010). Oxford History of Western Music (5 vol.). Vol. 1, “Music from the Earliest Notations to the Sixteenth Century.” New York, USA: Oxford University Press. ISBN 978-0-19-538481-9.

Thomson, John Mansfield; Rowland-Jones, Anthony [eds.] (1995). The Cambridge Companion to the Recorder. Cambridge: Cambridge University Press, 1995. ISBN 0-521-35816-7.

Woodfield, Iain (1995). The Early History of the viol. Cambridge: Cambridge University Press. ISBN 0-521-35816-7.


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